Director Chris Muir came to me wanting to work with somebody who could map visuals onto a human face. With a tight budget and an 8-hour shoot day we had to pre-visualize the ideas while still allowing ourselves for time to experiment on set.
Using a projector set just to the left of the camera the visual cues you see in this video are largely from one take where we were synchronizing lighting and visual cues as well as camera movement.
It's projects like these that really show have a great idea can come together quickly when the right parameters for experimentation are in place. Also electric youth are amazing in the song is so classic and timeless.
Director: Chris Muir
Director of Photography: John Kerr
1st Assistant Camera: Tom Wood
Key Gaffer: Sam Wong
VFX: Fezz Stenton
Hair and Makeup: Stacy Hatzinikolas
Directed by: Dan Lemoyne
Produced by: Stephanie Hooker for Hometeam Films
Production Company: Hometeam Films
Executive Producers: Stephanie Sonny Hooker and Natty Zavitz
Video Projection Design: Fezz Stenton
For this project I was in charge of on set programming of LED tube lights using Resolume Arena pixel mapping were applied to fill the large warehouse set with orange light.
A custom overhead rig was also created to simulate the light of a car driving at night in a city.
Direction, Motion capture and Animation using Unity 3D.
A film by Really Really
Art Direction - Jamy Steele
Daeve Fellows - 3D Artist
Maylee Todd - Choregrapher, Dancer
Special Thanks - Occupied Vr, Brady Bothwell, Nick Denboer
